S1E4 Variables

Long, Richard: Dusty Boots Lines (1988)

  • Agent
  • Semester
    Variables
  • Media
  • Type
    Photography
  • path
  • habit
  • desire
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CIRCUIT CITY

In a society where an individual’s only contract is with himself, the artificial time conception does not structure the days, but habits do. The habitual is what structures the city and is shared on a common ground where life happens through interaction: it needs to be static. In between the individuality flows efficiently on a network of parallel paths: it is continuous and smooth. An equilibrium is achieved, like pieces of a puzzle that intersect without overlapping: everyone is a component of the system that is never too full or too empty, but continuous.

Habit in Variables: Statement (2020)

  • Agent
  • Semester
    Variables
  • Media
  • Type
    Formula
  • path
  • habit
  • hypercity
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    200524

HABIT IN VARIABLES: MOVIE (2020)

  • habits
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    200525

Habit in Variables: CIRCUIT CITY (2020)

  • habit
  • orthophoto
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Habit in Variables: CIRCUIT CITY ZOOM-IN (2020)

  • habit
  • orthophoto
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Habit in Variables: Argument (2020)

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NISE Net: Zoom into a Microchip (2014)

  • paths
  • habit
  • microchip
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    200512

Garland, Ken: Connect (1969)

  • game
  • path
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Tschumi, Bernard: Parc de la Villette (1991)

  • architecture
  • layer
  • deconstructivism
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Unknown: Capillary Rise (2019)

  • Agent
  • Semester
    Constants
  • Media
  • Type
    Photography
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    Guiness Joshua, Schweizer Jan
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    191217
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Habit in Variables: CIRCUIT CITY (2020)

  • orthophoto
  • habit
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I can feel at home even where I’m a stranger, for example in a hotel. My real home is my habits from which I cannot disregard if I want to give a direction to my life.

Schmid, Wilhelm: Die Kunst von Balance (2005)

  • structure
  • habit
  • home
  • comfort
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Benjamin Franklin: The Autobiography Of Benjamin Franklin (1791)

  • Agent
  • Semester
    Variables
  • Media
  • Type
    Manuscript
  • routine
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Rybczynski, Zbigniew: Tango (1981)

  • ritual
  • habit
  • collision
  • intertwining
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    200420

Habit in Variables: CIRCUIT CITY: ZOOM-IN (2020)

  • path
  • habit
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ROSS D. FRANKLIN: Amazon warehouse facility in Goodyear (2019)

  • Agent
  • Semester
    Variables
  • Media
  • Type
    Cartography
  • virus

Pape, Lygia: Divisor (1968)

  • community
  • connection
  • cloth
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Habit in Variables: ARSENAL (2020)

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unknown: Holding patterns in aeronautics (2006)

  • airplane
  • airport
  • flysystem
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Von Ellrichshausen, Pezo: 120 Doors (2003)

  • path
  • multiplicity
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“Is it possibile to conceive a human being with more perfect health than myself?” In fact, such was the purity of his life, and such the happy condition of his situation, that no uncasy passion ever arose to excite him, nor care to harass, nor pain to awake him.

De Quincey, Thomas: The last days of Immanuel Kant (1862)

  • routine
  • habits
  • habit
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    200401

Chaplin, Charlie: modern times (1936)

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    Grimaldi Virginia, Isora Perazzi Giovanni
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    200310
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Unknown: Gregorian Calendar (1600)

  • time
  • calendar
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Unknown: Computer circuit board (2017)

  • Agent
  • Semester
    Variables
  • Media
  • Type
    Photography

Jamie Uys: The Gods Must Be Crazy (1980)

  • civilization
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Repetition changes nothing in the object repeated, but does change something in the mind which contemplates it.

Hume, David: Treatise of Human Nature (1740)

  • contemplation
  • projection
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    Fritschi Sandro, Wyss Oliver
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Vasconcellos, Cássio: Aeroporto (2019)

  • airport
  • efficiency
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Schütte-Lihotzky, Margarete: Frankfurt kitchen (1926)

  • path
  • efficiency
  • shortest
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Welles, Orson: Citizen Kane (1941)

  • isolation
  • protection
  • fortress
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Graybiel, Ann M.: The habit loop (1999)

  • behaviour
  • psychology
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Weir, Peter: The Truman Show (1998)

  • reality
  • television
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    Buetzberger Jessica, Voutat Maude
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    191008
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Tracing something unfamiliar back to something familiar alleviates us, calms us, pacifies us, and in addition provides a feeling of power. [...] The first representation that serves to explain the unfamiliar as familiar is so beneficial that we “take it to be true”.

Nietzsche, Friederich: Twilight of the idols (1889)

  • familiar
  • unfamiliar
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