S1E4 Variables

Smithson, Robert: Asphalt Rundown (1969)

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VICEVERSA

Aftermath is defined by a process of becoming, whether it is through physical transformations or intangible shifts in perception.

The existence of the self-sustaining utopia of ViceVersa is dependent on the ground of the pre-existing island. As the island is progressively excavated, the city itself grows vertically, becoming a membrane. Digitalisation and mechanisation eradicate the need for manual labor. In the presence of ultimate freedom, the inhabitants become gradually detached from the material existence of the island and lost in a hypnotic flânerie.

Aftermath in Variables: Statement (2020)

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Aftermath in Variables: movie (2020)

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Aftermath in Variables: ORTHOPHOTO (2020)

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Aftermath in Variables: ARGUMENT (2020)

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FARMING

New grass growing after mowing or harvest.

late 15th century (in aftermath (sense 2)): from after + dialect math 'mowing', of germanic origin; related to German Mahd.

Oxford Dictionary: Origin of Aftermath (2020)

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Smithson, Robert: Asphalt Rundown (1969)

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Aftermath in Variables: Orthophoto Diagram (2020)

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The quarries and the cities are like negative and positive images of a single photograph.

Naoya Hatekayama: Lime Hills (1987)

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Kohler, Gramazio: Rock Print (2015)

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Andrei Tarkovsky: Stalker (1979)

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Le corbusier: Modulor grid (1948)

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Aftermath in Variables: Land Analysis (2020)

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Aftermath in Variables: Land Comparison (2020)

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Aftermath in Variables: Agriculture Area (2020)

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Aftermath in Variables: Land Use in Comparison to ViceVersa (2020)

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Aftermath in Variables: ViceVersa Evolution (2020)

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Aftermath in Variables: ViceVersa Evolution (2020)

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Aftermath in Variables: ViceVersa Evolution (2020)

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Aftermath in Variables: ViceVersa Evolution (2020)

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Aftermath in Variables: ViceVersa Evolution (2020)

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Aftermath in Variables: ViceVersa evolution (2020)

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Aftermath in Variables: ViceVersa Section (2020)

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Aftermath in Variables: Lime Hills (1985)

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Aftermath in Variables: Highlited Island (2020)

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Aftermath in Variables: Section Zoom In (2020)

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Charles Emma: Fragment on Machine (1993)

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Aftermath in Variables: Highlighted Industries & Agriculture (2020)

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Aftermath in Variables: Section Zoom In (2020)

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Moser, Claudio: Grands Bois (2019)

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Aftermath in Variables: Highlighted City Garden & Algae Culture (2020)

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Aftermath in Variables: Section Zoom In (2020)

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Fables of another time, Atlas of Places: Untitled XIX (2018)

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Aftermath in Variables: Highlighted City (2020)

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Aftermath in Variables: Section Zoom In (2020)

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Aftermath in Variables: ORTHOPHOTO (2020)

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Aftermath in Variables: ARSENAL (2020)

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Millet, Jean-François: Les glaneuses (1857)

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WENTWORTH, RICHARD: Making and Do and Getting By (1984)

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Wright Brothers: Bicycle shop in Greenfield Village (1892)

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Almarcegui, Lara: Guide to the Wastelands (2009)

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Lhuisset, Emeric: L'autre rive (2017)

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Almarceguí, Lara: Spanish Pavillion Biennale (2013)

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Almarcegui, Lara: Wasteland Rotterdam Port (2008)

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Within the horizons of chance, effects described by the useful terms serendipity and synergism play crucial roles. An adhocist dares and develops such risky effects as gambles, hopefully in his favor.

Charles Jencks Nathan Silver: Adhocism (1972)

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Wright Brothers: Aeronautical Experiment (1899)

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This is the opposite of the ‘romantic ruin’. Because the buildings don’t fall into ruin after they are built but rise into ruin before they are built.

Smithson Robert: Ruins in Reverse: The monuments of passaic (1967)

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Gordon Matta-Clark: Splitting (1974)

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Dali, Salvador: Atomicus (1948)

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Penzias, Arno and Wilson, Robert: Holmdel Horn Antenna (1959)

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Marcel Duchamp: Fontaine (1917)

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By what then are montage and its embryo -the frame- characterized? By collisions. By the conflict of two fragments placed side by by side. By conflict. By collision.

Einstein Sergei: Vertical Montage (1940)

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Camillo Sitte: Urabn Planning according to artistic principles (1889)

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Both biological and cultural evolution proceed as much via exaptation as via adaptation.

Schumacher: The Autopsies of Architecture Vol. II : A New Agenda for Architecture (2012)

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Smithson, Robert: The Monuments of Passaic (1967)

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Robert Smithson: Partially buried shed (1970)

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Duchamp, Marcel: Transport Large Glass (1915)

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Debord, Guy: Situationist map of Paris (1957)

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That is, the surprising and delightful moments when a new idea or invention results from the sudden and sucessful conjunction of old ones. In short, it focuses on that rare time when creation takes place, just after two or more elements are brought together in a new synthesis, the birth moment, the eureka flash.

Charles Jencks Nathan Silver: Adhocism (1972)

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Matta-Clark, Gordon: Food (1971)

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Peter Fischli David Weiss: Der Lauf Der Dinge (1987)

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The fact that man is capable of action means that the unexpected can be expected from him, that he is able to perform what is infinitely improbable.

Hannah Arendt: The human condition (1958)

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PABLO, PICASSO: Bull's Head (1942)

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Rhone Glacier Switzerland: Blankets Reducing melt (2009)

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Brancussi, Eredi: Lascito Picasso (1955)

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Even when the inventory is large, it remains limited. The bricoleur uses what is at hand because that is all that he has. His materials bear no relation to his task because they are themselves the result of previous constructions. Levi-Strauss refers to these materials as ‘preconstrained’.

Irene Scalbert: The architect as bricoleur (2011)

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Rowe, Collin: Wiesbaden (1978)

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California City: Skyview (1965)

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Matilde Travassos: Line In court (2019)

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Graham, Dan: Homes for America (1966)

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Lhuisset, Emeric: L'autre rive (2017)

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Kaprow, Allan: Yard (1961)

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Naoya Hatakeyama: Takatacho Morinomae (2011)

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Chris, Burden: Exposing the foundation of the museum (1988)

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Aloise Corbaz: Abbé Bovet (1963)

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Eisenman, Peter: Memorial to the murdered jews of europe (2005)

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Wurm, Erwin: Narrow house (2015)

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McMillan, David: Chernobyl (2019)

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Aftermath noun

the situation that exists as a result of an important (and usually unpleasant) event, especially a war, an accident, etc.

Oxford Dictionary: Definition of Aftermath (2020)

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Khan, Idris: Toscany... The last performance (2008)

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Duchamp, Marcel: Large Glass (1923)

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Andrei Tarkovsky: Stalker (1979)

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Rossi, Aldo: Fagnano olona elementary school (1976)

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The terrible children who break away from their fathers and show off as bastards with perky achievements. They are innovators. The drivers of progress.

Sloderdijk, Peter: Die schrecklichen Kinder der Neuzeit (2014)

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We finally landed on the Isle of Freedom and burned the ship that took us there.

Sloderdijk, Peter: Die Schrecklichen Kinder der Neuzeit (2014)

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