S1E4 Variables

Struth, thomas: Aglae (2020)

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    Variables
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    Photography

In PROXIMITAS, the citizens have entrusted an algorithm to arrange life and space. The city is peirced by arteries developping specific urban characteristics. At each crossing, difference and commonness fertilize each other.

Circulating along the axis, one witnesses a seemingly infinite range of qualities. Engaging with them implies penetrating the city fabric ; a place of drifting.

There, Vicinities spill into each other in a saturation of meaning, allowing for the perpetual emergence of new notions devoid of defninitive understanding.

Myth in Variables: Proximitas statement (2020)

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    Variables
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  • myth
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Myth in Variables: Proximitas (2020)

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    Variables
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    Movie
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    Cao Loïc, Salzmann Yann
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    200525

Myth in Variables: Proximitas (2020)

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    Variables
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    Drawing

Abundance in Variables: ARGUMENT (2020)

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    Asimakis Matthew, Busqila Liat
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RUDENS, PETER PAUL; BRUEGHEL, JAN THE ELDER: THE GARDEN OF EDEN WITH THE FALL OF MEN (1617)

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    Beyeler Zora, Graf Sara, Pinardi Alina
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The absence of myth is also a myth: the coldest, the purest, the only true myth

George Bataille: The absence of myth (2006)

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    Variables
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Struth, thomas: Aglae (2016)

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    Variables
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    Photography

Ikeda, ryioji: Transfinite (2018)

GURSKY, ANDREAS: AMAZON (2016)

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    Äärilä Sonja, Bücherer Silas, Talos Dominic
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Unknown: Amazon Shelf (2020)

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    Variables
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    Photography

Myth in Variables: Proximitas (2020)

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    Variables
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    Drawing

Myth in Variables: Jones And Laughlin Steel Company (1957)

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    Variables
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    Photography
  • myth

Tokyo Sonata: Kiyoshi Kurosawa (2008)

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    Variables
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    Photography
  • tokyo

Myth in Variables: La patisserie Gloppe (1889)

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    Variables
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    Photography

Lang, fritz: Metropolis (1927)

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    Variables
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    Movie

Etienne-Louis Boullée: Bibliothèque Nationale (1780)

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    Variables
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    Drawing
  • myth

Lorrain, Claude: Apollo and the Muses on Mount Helion (1680)

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    Variables
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    Painting

Myth in Variables: Proximitas orthophoto surimpression (2020)

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    Variables
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    Drawing
  • myth

Myth in Variables: proximitas scheme 1 (2020)

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    Variables
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    Drawing

Myth in Variables: scheme proximitas 2 (2020)

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    Drawing

You never desire someone or something, you always desire an aggregate. I mean, I don't desire a woman, I also desire a landscape that is enveloped in this woman.

Gilles Deleuze: Abécédaire (1996)

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    Variables
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    Essay
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    Cao Loïc, Salzmann Yann
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Myth in Variables: Scheme proximitas 3 (2020)

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    Variables
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    Drawing

Myth in Variables: Scheme Proximitas 3b (2020)

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    Variables
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    Drawing

Myth in Variables: Scheme Proximitas 4 (2020)

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    Drawing

Erró: Foodscape (1964)

  • consumerism
  • consumption
  • food
  • capitalism
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    Buetzberger Jessica, Voutat Maude
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    191008
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Karl Friedrich Schinkel: Charlottenhof (1828)

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    Variables
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    Photography

Ludwig II: Schloss Linderhof (1863)

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    Galliker Andreas, Schneider Johanna, Utiger Michael
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Myth in Variables: Scheme Proximitas 5 (2020)

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    Variables
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    Drawing

Johann Sebastian Bach: Fugue in G minor (1707)

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    Variables
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    Other

Myth in Variables: Proximitas Zoom in 1 (2020)

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    Variables
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    Drawing

Myth in Variables: Scheme Proximitas 6 (2020)

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    Variables
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    Drawing

Myth in Variables: Scheme zoom in (2020)

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    Variables
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    Drawing
  • myth

Aby Warburg: Mnemosyne Nymphea (1928)

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    Variables
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    Photography

Myth in Variables: Saturation (2020)

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    Variables
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    Drawing

Myth in Variables: ProximitasZoom in - notions (2020)

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    Variables
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    Drawing

Salvador Dalì: Venus de Milo with Drawers (1936)

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    Variables
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    Sculpture

Myth in Variables: Scheme proximitas 7 (2020)

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    Variables
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    Drawing

Myth in Variables: Ostentation - Section (2020)

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    Variables
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    Drawing
  • myth
  • section

Myth in Variables: Ostentation - section - Zoom (2020)

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    Variables
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    Drawing
  • myth
  • section

Myth in Variables: Speculation - section (2020)

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    Variables
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    Drawing
  • myth
  • section

Myth in Variables: Speculation - Section - Zoom in (2020)

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    Variables
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    Drawing
  • myth
  • section

Myth in Variables: Pastiche - section (2020)

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    Variables
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    Drawing
  • myth
  • section

Myth in Variables: Pastiche - Section - Zoom in (2020)

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    Variables
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    Drawing
  • myth
  • section

The most complete flânerie, and thus the happiest, leads here again to the book, and in the book. For since centuries the ivy of wise leaves has atteched to the Seine's quays : Paris is the grand reading room of a library peirced by the Seine.

Benjamin, walter: Image de pensée (1998)

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    Variables
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    Book
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    Cao Loïc, Salzmann Yann
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Myth in Variables: Proximitas Orthophoto III (2020)

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    Variables
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    Drawing

Myth in Variables: Arsenal (2020)

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    Variables
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    Other

Myth in Variables: Subdidivion Strategy (2020)

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    Variables
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    Drawing
  • scheme

Myth in Variables: Sub Notions (2020)

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    Variables
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    Drawing

Myth in Variables: Proximitas Zoom in III (2020)

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    Variables
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    Drawing

Myth in Variables: Proximitas Zoom in 2 (2020)

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    Variables
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    Drawing

Myth in Variables: Proximitas Orthophoto Zoom in (2020)

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    Variables
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    Drawing

Béraud, jean: Patisserie Gloppe (1889)

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    Variables
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    Painting

Warhol, Andy: Empire (1964)

  • necessity
  • empire

Ettore Scola: C'eravamo tanto amati (1970)

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    Variables
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    Movie
  • myth

Becher, Bernd and Becher, Hilla: BLAST FURNACES, FRONTAL VIEWS (1979)

Cédric Delsaux: A Common Destiny (2008)

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    Variables
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Piranesi, Giovanni Battista: Antichità (1756)

  • mindscape
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    Fögler Mona, Ridder Raphael, Schrammen Robert
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Thévenin, jacques-jean: Laîterie de Rambouillet (1783)

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    Photography

Un soir, t'en souvient-il? nous voguions en silence;

On n'entendait au loing, sur l'onde et sous les cieux,

Que le bruit des rameurs qui frappaient en cadence

Tes flots harmonieux

Alphonse Lamartine: Le lac (1820)

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    Variables
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    Poem
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THOMAS HOBBES: LEVIATHAN (1651)

  • philosophy
  • politics
  • absolutism
  • leviathan
  • hobbes

« There are official searchers, inquisitors. I have observed them carrying out their functions: they are always exhausted. They speak of a staircase without steps where they were almost killed. They speak of galleries and stairs with the local librarian. From time to time they will pick up the nearest book and leaf through its pages, in search of infamous words. Obviously, no one expects to discover anything. »

Borges, jorge luis: the library of babel (1941)

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    Variables
  • Media
  • Type
    Book
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    Cao Loïc, Salzmann Yann
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Bertini, Giuseppe: Galileo Galilei showing the Doge of Venice how to use the telescope (1858)

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    Brusch Lukas, Malik Niti, Rutishauser Silvio
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UNKNOWN: ANDRE MALRAUX AMID THE ILLUSTRATIONS FOR LE MUSEE IMAGINAIRE (1950)

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    Mendoza Diaz Rodrigo, Naroyan Arko, Uzun Ali
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Koolhaas, rem: Downtown athlethics club section (1978)

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    Variables
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  • Type
    Drawing

Alfred Seilan: Imperium Romanum (2013)

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    Variables
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    Photography

Rapp and Rapp: Michigan thatre (1926)

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    Variables
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    Photography

Nick Hannes: Beach Hotel (2018)

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    Photography

There is no desire that does not flow into a layout, to desire is to build a layout, a whole. Desire is always multiple because it is linked to transformation. It is the consequence of an aspiration, a movement. There is no movement without multiplicity, without plurality that reterritorializes.

Gilles Deleuze: Abécédaire (1996)

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    Formula
  • quote
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“la flânerie” is the art of tactile perception, is letting one’s look glide on the passers-by, the cars, the buildings without taking the time to settle one’s look. It is the art of getting lost in the streets.

Benjamin, walter: unknown (1940)

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    Variables
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  • Type
    Book
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    Cao Loïc, Salzmann Yann
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Erik Desmazieres: Library of Babel (1997)

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    Variables
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    Drawing
  • myth

Myth in Variables: Logos / Muthos (2020)

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    Variables
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    Other

Any sufficiently advanced technology is indistinguishable from magic.

Arthur C. Clarke: Profiles of the Future: An Inquiry into the Limits of the Possible (1952)

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    Variables
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    Book
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    Cao Loïc, Salzmann Yann
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The bricoleur is, on the contrary, at the undistinct (and archaic) border between nature and culture. He belongs to the world within which he must buid - with what is at hand - his object. He lays out differently signs that are already therem without being able to dinstinguish as clerly as the ingeneer tool and matter. He is somekind of aesthete that enjoys the simple recombination that he operates.

Levi Strauss, claude: La pensée sauvage (1962)

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    Variables
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    Book
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    Cao Loïc, Salzmann Yann
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Gruppo 9999: Florence University Competition (1970)

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    Variables
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    Drawing
  • competition

I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.

Richard Brautigan: all watched over by machines of loving grace (1967)

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    Variables
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    Poem
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    Cao Loïc, Salzmann Yann
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