S1E5 Dionysos

Abundance in Dionysos: Agent (2020)

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Abundance in Dionysos: Argument (2020)

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Luycks, Christian: Nature morte de banquet avec orfèvrerie en argent et en métal doré, coquille de nautile, porcelaine, victuailles et autres motifs sur une table drapée (1650)

  • stilllife
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OFFICE KGDVS: AFTER THE PARTY (2008)

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J’ose bien dire que, s’il n’y avait point de vide, il n’y aura point de mouvement, ou il faut admettre la pénétration des corps.

De Bergerac, Cyrano: Lettres sur divers sujets (1654)

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Giacometti, Alberto: L'Objet Invisible (1934)

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The term “void”—along with many others that could offer similar controversies—implies that these spaces are emptied of the value that is associated with the prevailing ideology of cities as places of capital accumulation. [...] A lack of value is what makes these vacant spaces appear as marginal and this marginality is precisely what gives the urban voids the possibilities that other urban spaces do not have.

Lopez-Pineiro, Sergio: A Glossary of Urban Voids (2020)

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Sugimoto, Hiroshi: Movie Theater in Akron City (1980)

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Unknown: Unknown (2020)

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De Hoop, Harmen: Basketball Court #5, Barcelona (1992)

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De Hoop, Harmen: Basketball Court #7, Søndenborg (1992)

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Chang, Kim: Utopia Incomplete II (2016)

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NIMIS [ˈnɪ.mɪs]; ne- + the root of metior; not comparable.

_ Too, too much, excessively.

Definify on NIMIS: Definition and Etymology (2020)

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NIMIS strives for creation, tries to hold up with desire and is bounded to pleasure in its purest form. Concepts of property and engagement in society metamorphosed and distanced themselves from predisposed morals. The center looses its fixed point and displaces itself outside of the circle. Registration of appropriation melt together and explore new territories of unforseen typologies.

Abundance in Dionysos: Statement (2020)

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NIMIS endeavors for the transgression of any given boundaries.

_The city provides to its inhabitants abundant flow of goods and consumables.

_The unbuilt is unable to take any form of ideologies nor rules and is free to use to anyone wanting to appropriate themselves the space.

Abundance in Dionysos: Constitution (2020)

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ABUNDANCE IN DIONYSOS: NIMIS (2020)

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ABUNDANCE IN DIONYSOS: COLLAGE (2020)

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Abundance in Dionysos: COLLISION (2020)

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Abundance in Dionysos: Joker 1 (2020)

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Abundance in Dionysos: Joker 2 (2020)

  • collision
  • typologies
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ABUNDANCE IN DIONYSOS: COLLISION (2020)

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Abundance in Dionysos: Arsenal (2020)

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ABUNDANCE IN DIONYSOS: COLLISION (2020)

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Abundance in Dionysos: TRIAL (2020)

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Abundance in Dionysos: SCENE (2020)

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Abundance in Dionysos: ORTHOPHOTO DIAGRAM (2020)

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Fat cows: years of abundance; thin cows: harvests of scarcity.

Serres, Michel: The Parasite (1982)

  • abundance
  • animal
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Barragán, Luis: Capilla De Las Capuchinas (1960)

  • holyplace
  • poetry
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Andre, Carl: Duet of Leaf and Stone (1985)

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Barragán, Luis: Cuadra San Cristobal (1968)

  • pool
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Archizoom: No-Stop City (1969)

  • organization
  • pattern
  • chance
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Andre, Carl: Spill (1966)

  • randomize
  • city
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Abundance ought to be distinguished from any notion of affluence, excess or surplus. Unlike these, abundance is not the outgrowth of a temporary feature of some system benefit—which in a finite system must occur at the expense of another sector. [...] Primary abundance is indefinite in the sense that it is a potential not yet rated, which is not the same as being without value or worthless.

Bühlmann Vera, Hovestadt Ludger: Printed Physics: Metalithikum I, Applied Virtuality (2012)

  • physics
  • quantum
  • quantumworld
  • application
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Henner, Mishka: Levelland Oil Field, Hockley County, Texas (2013)

  • oil
  • void
  • abuse
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To be oneself that noise, that music, that spectacle, that comedy, to realise oneself as both a thing and an illusory thing, and thus to be not simply a thing but also void and nothingness, to be the absolute emptiness of the absolute plenitude that fascinates from the outside, to be the circular, voluble vertigo of that nothingness and that being, to be at once the total abolition that is an enslaved consciousness and the supreme glory that is a sovereign consciousness.

Foucault, Michel: History of Madness (1961)

  • spectacle
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  • void
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Eisenman, Peter: Frank House (1975)

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De Hoop, Harmen: Sandbox, Amsterdam (1996)

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Brodsky, Alexander: Yuri Palmin Rotunda (2009)

  • centredvoid
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Henner, Mishka: Coronado Feeders, Dalhart, Texas (2013)

  • void
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Eliasson, Olafur: The Mediated Motion (2001)

  • void
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Eliasson, Olafur: Your blue Afterimage exposed (2000)

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The notion of virtuality, therefore, assures a cohering and joining function between the two discontinuous orders, as between the two temporalities—imperceptible progression and definitive break—which scan the passage from nature to society.

Derrida, Jacques: Signature (2013)

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Hockney, David: A Bigger Splash (1967)

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Je participe à cette sollicitation du plein par le vide, à cette multiple insinuation de la mer illimitée jusqu’au plus profond de la cité humaine, à cette matière élastique, moelleuse et vibrante qui n’est plus qu’une sensibilité à la couleur, à cette propriété qui est la sienne de décoller de toute chose sa surface, à ce regard à l’envers, à cette équivoque continuelle entre la permanence et le contingent, à cet écho minutieux par qui tout ce qui existe devient la pensée de ce qui existe.

Claudel, Paul: L’oeil écoute (1946)

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De Maria, Walter: The Lightning Field (1977)

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Et je vois que ce ne sont pas les corps qui donnent l’unité au monde car le monde est composé de contraires, mais plutôt l’espace qui s’interpose entre les corps séparés et lie le monde ensemble.

Campanella, Tommaso: La città del sole (1602)

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Gronsky, Alexander: Pastoral (2014)

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Play is less the opposite of seriousness than the vital ground of spirit as nature, a form of restraint and freedom at one and the same time.

Gadamer, Hans-Georg: The Relevance of the Beautiful (1986)

  • nature
  • beaute
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Woodstock: Festival (1969)

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There's place intangible, a void and room.
For were it not, things could in nowise move;
Since body's property to block and check
Would work on all and at an times the same.
Thus naught could evermore push forth and go,
Since naught elsewhere would yield a starting place.

But now through oceans, lands, and heights of heaven,

By divers causes and in divers modes,

Before our eyes we mark how much may move,

Which, finding not a void, would fail deprived

Of stir and motion; nay, would then have been

Nowise begot at all, since matter, then,

Had staid at rest, its parts together crammed.

Lucretius: Of The Nature Of Things (73)

  • nature
  • void
  • atomists
  • 73
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Matta-Clark, Gordon: Window Blow-Out (1976)

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  • insideoutside
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Sitte, Camillo: Twenty-Nine Plans, At Uniform Scale (1909)

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Peter, Thomas: In Deep Water (2013)

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Smithson, Robert: Spiral Jetty (1970)

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Unknown: Russian Observatory (1992)

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So tremendous is the power of the Apolline epic that it enchants the most terrible events before us with delightful illusion.

Nietzsche, Friedrich: The Birth of Tragedy (1872)

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