S1E3 Constants

Metzker Ray K.: Sailor (1963)

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Extimacy in Constants: Double (2019)

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Extimacy in Constants: Tenebria Zoom-in (2019)

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Extimacy in Constants: Tenebria (2019)

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van Hoogstraten, Samuel: The Shadow Dance (1675)

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Extimacy in Constants: Section of Tenebria (2019)

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Extimacy in Constants: ADAPTION (2019)

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Extimacy in Constants: MIDNIGHT (2019)

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Extimacy in Constants: Teatime (2019)

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S'Gravesande, Gulielmo Jacobo: Die Projektion der Schreckenslaterne (1748)

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Hitchcock, Alfred; Dalí, Salvador: stage set for Spellbound (1945)

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Phidias: Zeus Statue (456)

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Galderi, Eugenio: Cine Arena Drive-in, Castel Fusano (1957)

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Extimacy in Constants: The king and queen watching a movie of themselves outside the Government House (1912)

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Ich erbitte mir nur die Erlaubnis, hier auf der Stelle diesen edlen Schatten

aufheben zu dürfen und zu mir zu stecken; wie ich das mache, sei meine

Sorge.

Von Chamisso, Adelbert: PETER SCHLEMIHLS WUNDERSAME GESCHICHTE (1813)

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Schroedter, Adolph: Peter Schlemihls wundersame Geschichte (1835)

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The contour as a "place" is in fact the place of an exchange in two directions

Deleuze, Gilles: The logic of sensation (1981)

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Drooker, Erik: Potemkin city limits (2005)

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Di Chirico, Giorgio: Mystery and Melancholy of a Street (1914)

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The shadow escapes from the body like an animal we had been sheltering.

Deleuze, Gilles; Bacon, Francis: The logic of sensation (1981)

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Hitchcock, Alfred & Dali, Salvador: Spellbound (1945)

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Unknown: Sundial (1800)

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Es nimmt also nicht wunder, dass man auf die große Frage nach dem Menschen von nun an mittels seiner Bilder, seiner Repräsentationen, seiner Doppel antworten wird.

Stoichita: Eine kurze Geschichte des Schattens (1999)

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Merisi da Caravaggio, Michelangelo: Die Berufung des Hl. Matthäus (1600)

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